Saturday, July 21, 2012

ACTIVIST SCHOLARSHIP IN FOLKLORISTICS



THEORIES AND METHODS
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 (Challenges and the Way Forward)



Asafa T Dibaba
Indiana University 

Summer/July 2012

Folklore/Anthropology
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I. Introduction

The main purpose of the present paper is to outline and discuss a theoretical and methodological framework to advance ‘research as resistance’ in folklore and practice ‘activist scholarship’ by relocating the activist researcher and the ‘researched’ on the margin back into the ‘social base’ so that the people studied can have a major role as stakeholders and control knowledge production in the research process. Towards that end, the major foci of the paper include discussing the theoretical basis to critical and anti-oppressive scholarship in contemporary folklore practice, identifying the methodological strengths/weaknesses/obstacles to activist ethnography, discussing potential challenges to pursuing activist scholarship (in folklore) by pinpointing what folklore can provide activist scholarship but other fields cannot and how folklorists can advance a critical and anti-oppressive approach in expressive, material, and performative cultures. The issue of some methodological and theoretical differences between ethnography of resistance movements and ethnography as resistance is equally crucial and, in this paper, attention is also given to identifying and discussing those nuances. 

Hence, with this academic and humanist guiding principle in mind, it has been the goal of the course, the “Poetics of Resistance in Ethnographic Research: Theories and Methods” this summer to sketch out some possible theoretical and methodological stances to practice folklore “research as resistance” or ethnography of “activist scholarship”. The course, as Ethnography of Resistance Poetics, is hopefully a brand new academic practice which is an extension of my PhD project on “Salale Oromo Folklore and Resistance Culture: Ethiopia” in the academic center of Folklore and Ethnomusicology Department, IU. In what follows, the rationale for “ethnography of resistance poetics” or “activist scholarship” is discussed. The polarization between “pure” academic research and “engaged” research is also problematized along the trajectories of research activism as a way forward to solving social problems.

II. What is “Activist Scholarship” and why?

Activist scholarship is humanist and emancipatory (not just oppositional), and engaged research practice aimed at introducing new ways of knowing, thinking and being. In so doing, through some liberatory actions, activist scholarship involves the people ‘researched’ on the margin in the research process, in knowledge production and dissemination practices and, eventually, comes up with some social action that can influence policies and structures of knowledge and power. Traditionally, in academia where the focus has been on “research in academic sense,” doing research for resistance purposes or research activism is seen mostly as unacademic, political, subjective, and, therefore, activist scholarship is unlikely. However, resistance research as an activist scholarship is an ethical stance, not just an oppositional stance, about the researcher and the researched, about relational issues between the “oppressor” and the “oppressed,” and also between the “oppressed,” about the experience, expertise, and concerns of those marginalized in the research process, about widely held beliefs regarding what counts as knowledge. 1

In doing folklore activism/ethnography of resistance poetics, the activist researcher comes to the present with the past in the research practices so much as the people studied on the margin. The researcher and the community need to understand it well that to regurgitate the past instead of focusing on the present and building bridges towards the future may do more damage than good. By “engaging contradictions,” redefining power relationship, in the research process, who creates knowledge, who has access to it, who controls its production and dissemination, activist scholarship has a paramount importance for identity, collective rights and social change to emerge out of a collective memory of struggle and to recover the lost past and reclaim sovereignty (Hale 2008). In the mainstream academia, especially in the Third World institutions, it is not without difficulties to do engaged research into the social problems of the lack of just and non-exploitative power relationships, common social and economic values, human dignity, responsible and active participation, diversity and equity, democratic decision-making, and control of capital and sustainability to continue to grow and change.

Activist scholarship has a practical value as a new way of having research reflect the experience, expertise and concern of those involved in ‘research as resistance’. Such an engaged research transcends the border between the “academic” and the “oppressive realm” to the “critical, indigenous, and anti-oppressive” one, to the realm of learning and practicing resistance, and transforming the grim human condition, which is not without methodological/theoretical, and professional challenges (Brown and Strega, 2005:255; Hale, 2008:341).  Next, I discuss those theoretical and methodological orientations of activist scholarship, epistemological (the ‘how’) and ontological (the ‘what’) in activist research processes.


III. Activist Scholarship: Theories and Methods

In this part of the paper, it is not to spend time reviewing the history of haughty theories and methods in but to provoke some practical questions.  What is the use of theories/methods if still the oppressed are in poverty, in prison, displacement and if indigenous peoples continue to live as “the wretched of the earth,” experience oppression and its implications? Thus, it is to think of alternatives to forge a model that can shape shifts in the form of theory, methods and ethics and help the oppressed to emerge out of the margins. It is also to echo the call for those “who have pursued academic study and dipped toes into the murky pool of research” and to have obligations to use their expertise to improve the dire human condition (Brown and Strega, p32)  by situating anti-oppressive analysis in the daily life practice of the people relation to other social theories.

As a new form of scholarship ‘research as resistance’ (Brown & Strega, 2005)  and/or ‘activist scholarship’ (Hale, 2008) originates in a rich and complex intersection of feminist, postmodern, postcolonial, and critical race theories and necessitates a new form of epistemology that catalyzes institutional transformation to fundamentally challenge the existing systems of recognizing, knowing, and legitimizing knowledge production. The institutional transformation would lead towards a prolonged and difficult “epistemological battle” that can have a deep pervasive implication for sustainable social change. The basis of the “epistemological battle” is the obstacles in the mainstream academia against the need to advance “engaging contradictions” and doing activist folkloristics, or activist research in general, that involves and empowers the community. Thus, the implication of that epistemological battle is about democracy and activist scholarship as it is about higher education. The project of activist scholarship, therefore, aims at exploring the role of academics in the generation of new knowledge and in providing a supportive environment for new ways of generating knowledge. 2

In activist research process, the major task is to describe in detail not as a “how to” guide but as a way to trace how activist scholarship can involve the community as knowledge producers. It is equally essential to find out an open and free space, a habitat for activist community centered research, political activism, and intelligent repositioning.  Thus, the major aim of activist researcher and activist community-centered epistemology is developing tools for self-representation and self-advocacy to inform and support healthy and just community development grounded in the direct experience and insights of community members. The aim is also to characterize as critical those theories that view knowledge in social constructionist terms and as rooted in subjective experiences and power relations and those in a universalist and positivist tenets, as mainstream in their orientation (Brown and Strega, p68).

Theoretical Orientations
Activist scholarship originates out of feminist, postmodern, postcolonial, and critical race theories. Owing to its orientation to different schools of thought, disciplinary approaches and methodological practices it is referred to by various terms.  Among others, such terms as (participatory) action research, collaborative research, grounded theory, public intellectual work, critically/publicly/politically engaged research describe the theoretical and methodological orientations of engaged research as ethnography of resistance poetics.

The common element being research methods pertaining to social construction of knowledge, and self-representation and self-advocacy of the society, activist scholarship is also designated as community-engaged/based research and public scholarship (Hale 2008:238). That is, the people traditionally marginalized as objects, data sources, or informants are now central to the study and active participants of the research process in a dialogic stance and not just a question and answer or one-way interview. Activist scholarship is thus a “people-centered research methodology” that upholds people’s agency and ensures people’s voices are heard by overcoming the theory/practice dichotomy and engaging the community in a productive and reflective learning through action (Hale, p63). In so doing, “activist scholarship” sustains the politics of knowledge as extremely important to social action, hence “activism” of scholarship. In the view of “activist scholarship,” knowledge is constructed by a direct involvement with practical problems and efforts to create a better world; hence, a “scholarship” of “activism”. Its “scholarship” is also delineated by the collective participation of the people (the sources of data) as stakeholders in the research process and interpretation as they contribute much into what we learn from the research and only thus the research results are ‘valid’ as the researcher and the ‘subjects’ are engaged directly in the transformation of the phenomenon under study.

Theoretically speaking, activist scholarship challenges the dominant institutional epistemology driven by expert knowledge and positions scholars against their discipline, department, and (mainstream) institution in favor of collaborative, relational, contextual, and localized epistemological framework. As anti-oppressive research, activist scholarship is not contingent on physical or political location and can be done anywhere by anyone to pursue “oppositional scholarship and politics” / “organic praxis” (Hale, 2008:342), “more than critique, as something do-able” (Brown and Strega, 2005:258).3 Below, I turn to briefly discussing anti-oppressive epistemological orientations of activist scholarship.

In folklore activism and in activist scholarship in general, there are difference-centered theorizations as anti-oppressive critical theories unlike the homogenizing positivist normative theorization. Marxist theory grounds its analysis in the socio-economic lives of the people and situates itself in oppositional social movements. In its critical orientation, in Marxism, there is a close relationship between knowledge creators and the power elite in society and by its notion of praxis “the notion of social institutions reflects the values and assumptions of society” (Brown and Strega, 2005:49).

From anti-oppressive and post-modern research theories, the production and transference of knowledge is central in the fight for social justice. Activist researchers deconstruct dominant mainstream constructions of knowledge and monolithic reality using different theoretical orientations, critical theories. Marxist theorization critiques social “praxis” as the tension between theorizing and practicing/acting, and the status quo, and its method of analysis is grounded in critiquing and creating oppositional knowledge and social change (ibid, p50).

In anti-oppressive theories, knowledge is directly related to practice, hence, to “praxis,” and the basic assumption of Marxist theorization is that one can be free from false consciousness by acquiring alternative and true knowledge of things (ibid). Unlike liberalism which grounds itself in a positivist tenet and views the researcher and the research as neutral, Marxism and structuralism use participatory methods of engaged research. In Marxists’ view some social change and material realities are expected as outcome of the committed research.  However, as Brown and Strega argue, Marxists do not distinguish between ontological and epistemological claims and between knowledge claims and value claims of society (p48).

Feminism is another anti-oppressive theory rooted within oppositional grounding to contest gendered and dominant construction of gender, i.e. womanhood. The “first wave feminism” was the gender-oriented movement about women’s marginalized place in society. It was to center gender in its feminist analysis by men and later mainly by women based on their own lived experience and writings to add their voices in anti-oppressive movements (Brown and Strega, p52). To the White feminist thought, social injustices were caused by patriarchal conventions and assumptions at ideological and institutional levels in the society. As an anti-oppressive principle, feminism theorizes social justice that opposes patriarchy and gendered unjust social relations. Feminism, like Marxism, theorizes on the specific and the contextual instead of the transcendental and the universal. The problem of White feminism was its singling out gender and focusing on difference (race, sexuality, color, or any other basis of difference) in its theorization and analysis. Feminists provide concepts, models and methods to translate and transform experience but participants are considered ‘subjects’ of the research project (ibid).

In postmodern theorization there is no one “truth” or singular ‘reality’ but multiple representations and interpretations of it. It is understood as practicing acts of justice to deconstruct a mainstream singular representation of a monolithic “truth” and there is no singular claim of social justice to be made. In Marxism power exists in binary terms with the ‘oppressed’ and the ‘oppressor,’ and the former having no power whatever as victims of ‘false consciousness,’ whereas, in postmodernist theories, power exists in its various forms and multiple relationships. By a post-modern theorizing emphasis is to deconstruct, and not to explain, predict, or emancipate, nor to make any normative assumptions4 (ibid, p58).

Social identity theories are organized around social identity-based oppositional movements such as race, Aboriginal, disability, sex(uality), class, gender, grounded in oppositional movements, and go beyond singular analysis of experience of  oppression to multiple and intersectionality of identity locations (ibid, p61). Like other anti-oppressive theories, they offer analysis of social reality and a vision of social justice, and unlike Marxism, social injustices are defined not in materialistic terms but rather in relational and cultural terms.

To theorize activist scholarship at the local level, activist community has “tools” for critical analysis of social relations and theoretical explorations of the daily life practices and works in collaboration with scholar activists. The community can ‘folklorize’/”theorize” the daily life experiences, social and historical events transformed into social praxis to produce the poetics of new forms of knowledge and devise new ways of knowledge production and dissemination. Among the Chiapas in Mexico, for instance, folkloristic activist poetics was practiced to “share/tell stories” and the research dialogue in the Zapatista movement created opportunities for the community to draw on their own lived experience, generate new knowledge and facilitate for social action using dialogue and story-sharing practices5.

Methodological Encounters

As a method, activist scholarship is guided by the principle of participant-centered approach to engaged research and responsible for the validity of the results of the research which have a direct applicability on the lives of those the researcher is in dialogue with.  Methodologically speaking, activist research as participatory or action research is more valid than the conventional social sciences because it provides epistemic and empirical justification and “‘engaged’” directly in transformations of the phenomena they study” (Hale, 2008:320).


Some of the critical questions to ask in a community-centered activist research would focus on a shared understanding about the purpose, scope, and methods of the research, and the questions may focus on the context and background of the study, who might involve in the research, what research methods can fully involve the participants in the project, who is interested in the results of the study, why they need the study, what they might do with the results, and what perspectives the participants offer the researcher (Hale, p249). Thus, a grassroots knowledge produced through collaborative, community-based research projects, essentially for understanding community problems in its complexity, provides important data, community-centered research methods and practices, and a vital knowledge and possibilities for theory building, and also change-oriented relational practices. Such an activist research process can be used creatively for building or reconstructing community to integrate holistically their personal and professional commitments to build long-term community development.  

For an activist folklorist and scholar the challenge is how to negotiate academic career and political engagement to successfully effect social change and community development through participatory activist folklore research not just theory production or methodology but social praxis that describes well the marginalized, the commitment which most oppositional scholarships omit, a serious omission in activist scholarship. The question may be both theoretical and methodological (but not straightforward) and includes practical topics of how to balance the competing demands of academia and more abstract/theoretical issues of negotiating the ethics of ethnography and the ethnographer’s “situatedness” and “trust”.  Added to the research experience and publications, a strong sense of self, clarity of purpose, and knowledge of priorities, sense of purpose and identity translated into particular behavior help to minimize experience of institutional conflict and methodological handicaps.

Story-telling/-sharing can be one of the effective ways of involving the community on the margin in activist folklore research, particularly personal narratives. The stories are “essential core” as cultural, political, spiritual, social, and educational experience of the researcher’s being” (Brown and Strega, 2005:237). What is in a name is a history of the Ancestors who shared that name where they were from and songs and dances and masks with other important messages passed on to the bearers of the names. Some teachings are about conservation (of Mother Earth, the Oromo call Dachii) and historical and mythological stories to teach moral guidelines by which one can live, to situate the individual in the community and in the natural world, and to provide sense of belongingness and identity. As Robina Thomas convincingly argues, storytelling also serves as a tool of resistance against colonialism and assimilation using counter narrative to deconstruct the mainstream documented stories (ibid, p241). And meaning is formed through dialogue, through interactive conversations than through formal interview or question and answer. Methodologically speaking, in using storytelling as a research method, speaking in the voice of the storytellers, and how to perceive the stories, document, edit and decide what to exclude or include, and to maintain the authenticity of the storied through the voices of the storytellers is a challenge to the activist folklorist.

Citing Cruickshank’s (1990) premise that “life-history” investigation can serve as a model for research (cf. Life Lived Like a Story), Robina rightly states that  the storytellers tell using their own voices the tales of land dispossessions and other resistance stories of social injustices which validate the lives and times of their people, unlike those stories inaccurately documented. Thus, storytelling is used as a supplementary material for other forms of research, means of recording histories or counter-histories, against colonial legislations (e.g. Indian Act) though it is deemed illegitimate, subjective, and biased by the mainstream social sciences.

Methodologically speaking, the “body” as a source of knowledge is also used to discuss issues of representation through a critical autobiographical narrative methodology, while as a principle of Aboriginal research methodology, positionality is a call from indigenous voices to Indigenous researchers and students who have a dream to engage anti-oppressively. Other researchers in Research as Resistance (2005) and Engaging Contradictions (2008) share critical reflections from experience conducting participatory action research (PAR), as Susan Strega views from the margins the critique of ontological and epistemological foundation of traditional social science (Brown and Strega, p199).

The practices of activist scholarship need to be treated as part of political strategy while working on the dilemmas and contradictions embedded in projects (Hale, p156). To do research as “activism of scholarship” or as “scholarship of activism” the most demanding question would be if activist scholars can find alternative “home(s)” in the world of dominant academy to pursue/practice activist scholarship under more hospitable conditions (Hale, p19), which may not necessarily mean leaving the academy, but thriving their research agendas in the marginalized units of the institution. A positive response to the question could mean a signal to the importance of valuing diversity and diversifying the academy, to effect institutional change, create more supportive space for the particular kind of research (Hale, p14). The “engagement” of activist research as in ethnography as resistance” is considered by the mainstream academia and positivist approach as unscientific, personal, and unprofessional though it is a meaningful, ethical and human response to life (Hale, p325).

“Ethnography of Resistance Movement” and “Ethnography as Resistance”6
“Ethnography as resistance” is a “transformative,” “innovative” research practice which focuses on investigating closely ways of using narrative enquiries for transformation. It is a new way of thinking and catering for different realities of the “oppressed” and offer possibilities for new ways of knowing and being for the activist researcher and those researched on the margin. “Ethnography as resistance” assumes an emancipatory role of resistance research, both for the ‘oppressed,’ i.e. the researched, and the marginalized researcher. As activist “ethnography” it is research into “irresistible stories” of oppression and resistance against injustices through participation of the community, and transforms academy/ia and influences sustainable change. Thus, “ethnography as resistance” engages politics of memory and constitutes a collective myth of resistance in a memorable way to ground the social praxis in such a collective shared experience of the oppressed as in the case of the Chiapas in Southeast Mexico.

Though storytelling by itself does not guarantee ethnography of resistance as an emancipaptory action, but “story-sharing” is part of the indigenous communities’ commitment to reclaim traditional ways of knowing and practicing daily life events in a “subjective” way. From critical researchers’ perspective, value-free science cannot be effective by rejecting to view reality as both objective and subjective. That is, the objective reality that impinges on the lives of groups and individuals as real forces is experienced and interpreted as subjective reality to constitute group/individual’s consciousness.

Those many “ways of knowing” which Foucault calls “subjugated knowledge” of the marginalized, narrative discourses/storytellings, as part of histories, cultures, experiences and languages of those on the margins, have historically been devalued, misinterpreted, excluded or trivialized since only certain conceptualizations of information are counted as objective, scientific, authoritative, and therefore “valid” knowledge (Brown and Strega 2005).

To dismantle “the master’s house by the master’s tools” (ibid. p199), the stories of oppression retold and constituted into a new way of knowing and being are used to eliminate the false consciousness of the oppressed and expose the “fear of freedom”.  Ethnography as resistance is a new way of knowledge construction from “below,” knowledge as “never disintegrated or neutral,” in Foucault’s terms, “but both produced by and productive of power: …power and knowledge directly imply oneanother” (ibid, p266).

The narratives, through systematic enquiries, describe the status quo and critique oblivion by revisiting ethics of the way things are and question why things are the way they are. “Ethnography as resistance” unsettles the powerful and the power and also challenges the oppressed to question how they govern themselves. In so doing, it curves out some new and “transgressive possibilities” and shows ways to liberate both the researched and the researcher through systematic narrative enquiries, closely investigating into the warp and weft of the stories (of oppression and resistance) told within stories. Thus the methodological and theoretical orientation of “ethnography as resistance” is anti-oppressive and participatory since it is an engaged and community-centered research approach.

On the other hand, the epistemological and ontological nature of ethnography of resistance movement is different. The ethnographic journey of the Chiapas popular movement led and recorded by Subcommandante Marcos, who studied and documented the communique of the Zapatista published as Our Words are Our Weapons, is an example of “ethnography of resistance movement”.  It is ethnography of the day to day progresses and dynamics of the rebellion and grassroots resistance recorded from a lived experience of the rebel leader from its inception through the 1994 NAFTA summit, the USA-Mexico bilateral agreement, and the Zapatista insurgency the same night. Such ethnography of resistance movement is methodologically and theoretically less formal and relatively free from temporal and spatial limitations and can be conducted during or after the movement through historical and archival data collections and interviews, story tellings and personal experience methods. It does not guarantee an anti-oppressive tenet! It can be pursued for the purpose of “resistance against resistance,” that is, the oppressor can use ethnography to infiltrate the movement and to forge a counter insurgency. “Ethnography as resistance” can apply those methods but both its ontological and epistemological stances are constrained by institutional and academic power ploys against anti-oppressive research. Ethnography as resistance is the poetics of resistance itself, i.e., a guiding principle of an action, of “dismantling the master’s house”. Or as in James Scott’s studies, “one cannot get far by arguing narrowly along social structuralist lines just by describing the ideas of peasants as arising neatly from their class position” (Guttmann, 1993: 78; Abu-Lughod, 1998/2003). Such a study of resistance movement where the people are mere sources of data is an example of ethnography of resistance movement.

Ethically speaking, in doing ethnography as resistance, configuring research “subjects” in some limited ways and procedures can conflict with the researcher’s ethical questions of voice, representation, and collaboration, which constrain the creation of knowledge and participation. Hence, in activist scholarship as ethnography as resistance, orientation of the political nature of research and the duty to decolonize the oppressed are the principles of “anti-oppressive practices” that highlight the relationship between the “researcher” and the “researched”. It also determines the “emancipatory goals” of the research through participatory research or ethnography as resistance.

Activist scholarship as ethnography of resistance poetics questions the purpose and process of social sciences from a postmodernist perspective.  That is, concern about the relationship between the researcher and the researched, and challenges to the notion of epistemological guarantees: who the knowledge is created for, how it is created/constructed, and for what purpose. Hence, ethnography of resistance was produced at the time of “positivist resurgence” with the major aim of providing theoretical and practical explanations of critical, indigenous, anti-oppressive research. The discourse of positivism (objectivism) obscured the questions of how knowledge is socially constructed, who controls how it is used, and whose interest knowledge serves (Brown and Strega, p6). 

Hence, research activism as ethnography of resistance is a research “from the margins,” i.e. which involves the marginalized and unsettles the connections between how knowledge is created, what knowledge is produced, and who controls the process. It examines the narratives of “talking back and making space,” voice of the marginalized, what it has to say about its own lives and the lives of others and about how those lives are transformed. Unlike the positivistic creed of the natural science, in social sciences “reality” is socially constructed and not necessarily to be empirically discovered by same means as “objective”  “facts” in the natural world.

Ethnography of resistance poetics aims to serve those engaged in social justice and redress suppression, and to work on activist methodological and epistemological practices, not just to catalogue distinct theoretical and practical ensembles. Anti-oppressive theories are critical in their orientation and clarify how the ontological and epistemological orientations of those theories are distinguished from other (academic) theories. 7


IV. Activist Scholarship in Folkloristics

In folklore activism, the politics of memory and the need for reconstituting a collective myth of independence/sovereignty is part of the struggle often detracted by the mainstream politics. The origin story of resistance, or the land struggle, such as that of the Zapatista or of the Nicolas Ruiz (who emphasize change and continuity in the reconstruction of their identity) (Hale 2008:228), fighting for national liberation is part of the founding of the “nation” within “nation-state” and to revitalize the culturally, linguistically, and historically situated significant difference. The role of activist folklore research in such a sociopolitical context is paramount and the challenge is equally demanding. Thus, activist scholarship engages contradictions and people and places on the margin acknowledge their historical construction of their identity through their resistance poetics (activist folkloric discourses, i.e.  songs, stories, dances, ritual performances and material cultures as among the Chiapas) about the ongoing land struggle and certain political and social practices as they also recognize shifting identities (Hale, p228).

 The challenge to practice ‘activist folkloristics’ and to relocate folklore activism (and oral tradition) in the local politics/history can be exemplified by   the “Dar es Salalm School”. The study shows that based on oral tradition, African historians attempted to interpret African history form African perspective and not from the viewpoint of the mainstream history of the colonizers. However, it was singled out as not based on “universal” principles of history writing by Western historians, and African historians undermined the mainstream approaches to the writings of African history (Hale, p68). They questioned the significance of Western writing and understanding of history to writing and interpreting African history from African perspective (cf. also Jan Vansina’s Oral Tradition: a study in historical methodology, 1985). Thus, folklore activism as part of activist scholarship can best disseminate traditional and tacit indigenous knowledge through joint endeavors of dedicated scholars working within the communities. Such African philosophy as Ubuntu (Humanness) or the Oromo Safuu (moral/social order) is the view that calls for a “communicative action,” i.e. without others one cannot exist to the fullest as a human being.

The other challenge, from my experience, to doing activist folklore research is a discriminatory political agenda that emanates from the unruly dominative ideological stance. In the country such as Ethiopia where a single ruling party is a head of state for two decades there is no room for activist scholarship or doing ethnography of folkloric resistance is no less offense than a terrorist act (cf. my articles on this topic)8. In folklore activism, the issue of peace/security can be addressed as central to the indigenous knowledge of the people pertaining to the availability of resources to sustain lives and wellbeing, and “insecurity” as “ill-being,” as inability to meet physical, economic, social and psychological needs. Folklore activism, based on the folk-life of the community, can draw up the program of action around cooperative works, festivals, rituals, funerals, and address some obstacles to the wellbeing of the community, which requires further research aimed at communities’ self-empowerment.

Folklore activism as part of activist scholarship is not just about singing or narrating of breaking the bondage and setting ourselves free but about “steering the ship,” i.e. about educating ourselves how we govern ourselves, about understanding how schooling, literacy, and intellectual work function, about changing ourselves, creating institutions, practices, beliefs, and social relations capable of generating more just world (Hale 2008:98). Ethnography of resistance poetics is not just “oppositional” but an attempt to seek alternative ways of thinking, knowing, doing, and being. Hence, “resistance” as an emancipatory act!

The challenge is research is “dominative” when guided by the researcher’s priorities in a way that makes no sense to the people being studied. Thus, for activist folklore research to happen the power to determine what is important to study and what is not important, how it shall be studied, to whom and in what forms the results of the research will be distributed should in part be vested upon the people being studied as it is to the researcher. Hence, a way forward for activist (folklore) research to continue as emancipatory is to involve the community in research and in research-design dialogue, and clues about what research questions should be and what actions can be identified through dialogue. In the dialogic relationship between the “subjects” and the researcher, “trust” and “situatedness” (where one is coming from than where one stands) are equally important. That is, the establishment of a relationship of “trust” develops over months or years, especially, if the study takes on highly politically sensitive topic, and trust grows where the visitor volunteers to work more as activist than as a researcher (Hale, p204; Abu-lughod, 1998/2003).

V. Conclusion9

Folklore Activism and Grassroots Planning: Localized Struggle
In this paper, our aim has been to discuss “activist scholarship and folkloristics” on ontological and epistemological basis. Anti-oppressive theorists connect knowing with doing, and research as “praxis”. Thus, knowledge cannot be conceived of as neutral and abstract but as having the potential for “libearatory” practice at the grassroots level of “knowing” and “being”. Since “knowing things differently results in acting differently” (Brown and Strega, p67 citing Freire 1967) knowledge enhances localized social struggle and empowers those on the margin for social change through action.  Here the question is “what happens when hegemonic academic folklore theory and practice are transformed into a cultural product and professional activity of a different instance,” to ask as Gerard Warshaver (1991:219). Regarding the “softness” of postmodernism, while I share the view, I do not intend to schematize an “unproblematic theoretical model of reality” but to make a modest contribution by suggesting a possibility for folklore activism as “grassroots planning” and as part of “localized struggle” to control social change and knowledge creation processes.

As it has been argued, analysis of theoretical orientations and methods of research activism show that knowledge and power are two indispensable human qualities scarcely and unevenly shared. As the fight for those two scarce human elements can be sought and fought for in different ways, the study of the resistance movement under anti-oppressive approach can be also pursued in many different ways.  In folkloristics, as I discuss next, and also in other social sciences (e.g. anthropology), doing activist folklore research is not limited by place or status but by a good will of the activist scholar to involve those on the margin in the research process, knowledge production and control. In this section, I conclude by outlining some of the challenges and indicating the way forward. 

It has been discussed that we can practice folklore activism not by mere technical expertise but by some opportunity to creatively and critically think to find promising continuities, despite forceful changes, and productive breaks in the mix of peoples, histories, political and economic forces that make up conflicting terrains and forgotten places. It is also a challenge whether we can make a difference and make change just by studying the margins because we are folklorists or social science researchers but by involving the people we study within the research process, interpretation, and evaluating the outcome (Abu-Lughod, 1998/2003). The participation of “marginal people on marginal lands” can affect new ways of knowledge production as the community exercise power and control knowledge production and dissemination processes through performance and continuous dialogue with the researcher.  The marginalized people in those marginalized locales, i.e., institutions such as families, grassroots community welfare associations, cultural performances (weddings, funerals, festivals and rituals) can be the center of “grassroots planning” and “localized struggle” to liberate humanity from being exhausted by the structured daily violence of racism, unemployment, shrinking wages, environmental degradation, displacement and consequent disappearance of whole ways of life which the people sing, tell stories and perform and refuse to give up hope to reclaim agency. Thus, an activist folklore research can save humanity from consumerism!10

Those contested sensibilities and feelings constituted through performances are the basis of political struggle (of knowledge production and agency) to make life better than the present when the social identities are jeopardized and no patterns (theories) for action. The lack of resource as if a lack of “resourcefulness” brutalizes people in forgotten/marginalized places. And in effect people raise and use what is available to make a place in the world and also act within the institutionalized and individualized constraints defined by racialization, gender hierarchy, and nationality. Those identity differentials produced academic specialties to deal with disabling and undoing the social constraints.

Activist scholarship inspired by a vision of progressive social change, addressing inequalities and working towards a common good can also maintain authenticity and authority while folklore activism is at work by reinvigorating public interests of folklore at grassroots and community-based levels. Folklore activism works through indigenous knowledge theorized, developed, communicated and utilized by means of different techniques of oral (folkloric) communication. Nonetheless, African norms and value systems were excluded by the Western knowledge system since its ideologies did not understand the African ways of “knowing” and most Western educated Africans also became hostile to local knowledge and regarded it as “primitive/backward,” the alienation which obstructed African development (Hale 2008).

Engaged folklore research aims at dealing with such questions of social consequences, unequal relationships and works on processes involving progressive traditions and values to contribute to community-based social change efforts; the purpose of interpreting the world is to change it (Hale, p62). In sum, the continuing polarization of theory and practice in the expression of power relations affects the role of social science research, particularly folkloristics, to problematize and study the unequal power relations.  To overcome the theory/practice dichotomy, involving communities in productive and reflective activities of learning through action can be a panacea. However, modern politics created among the oppressed a “fear of freedom” where theories about freedom and democracy and their practice did not coincide. Such polarizations can be treated through socially constructing knowledge and then gaps reduced by theorizing and critiquing locally the social injustices that modern politics masquerades through instilling a “fear of freedom,” and, consequently, breeding false consciousness.

ENDNOTES

1. Knowledge, from difference-centered theories, is viewed as something gained by the interaction of the subject and the participant observer. Both the subject and the observer are understood as having agency and involved in defining difference. And “difference” is understood as a fluid concept, and knowledge is inter-subjective and dialogical (Brown and Strega, 2005:67 citing Hall, 1996) (Cf. also Brown and Strega, 2005:66).

2. Publically engaged epistemology necessitates stressing the importance of linking one’s inner reflection and vision with social, political and lived experiences to generate subversive knowledge and action following the path of new ways of knowing, “inner work, public acts,” that is, “urging to act on the knowledge gained” (Hale, p238). Lila Abu-Lughod’s “Writing Against Culture” such a seminal work in this regard. In her second book, Writing Women’s Worlds, (1998/2003) , Lilaa Abulughod framed a feminist ethnography using  individual stories to make a larger argument about “writing against culture”. She deconstructs the mainsteeam typifications of social structure and cultural form by attending to internal argument, individual lives, and complex social dynamics) as a means of intervening in vexed discourses about a maligned region as well as challenging transnational feminist representations of women in Arab societies. 

3. This constitutes an ‘epistemological battle’ against the dominant, positivist, and technocratic position of division between knowledge producers (institutes) and knowledge consumers (community) and values more community-based knowledge than academic knowledge and facilitates for the outflow of knowledge across the institutional boundaries to meet the needs of the community. Such an epistemological stance is a move away from a knowledge generation contained within the mainstream ‘academic agendas’ and career structures towards the new ways of knowledge production and judging the outcomes not by the degree of the problems solved but by the degree of agreement among the participants in the knowledge production process (Hale, p331).

4. To give historical explanations of scientists’ decisions to prefer one theory over another, Gregory Currie (1987:456) argues, such explanations ought to contain only statements about the beliefs and preferences of the agents involved. In particular, Currie stress, it ought not to include evaluative premises about the theories themselves.  And theorization based on a universalist assumptions pertaining to color, race, gender, class and by downplaying “difference,” specificities of those social identities eventually traps social theories into the “dominative” mainstream orientation against anti-oppressive tenets (Cf. also Brown and Strega, 2005:64).

5. Cf. Subcomandante Marcos’ (2001), Our Words are Our Weapon. What is in a name? He writes, Chiapas is a name of pain and hope, and cites Chrales Luis-de Secondate asking “Persians? But how is it possible for someone to be Persian? Thus, it is the purpose of ethnography as resistance to pose the same question to the research “subjects” and empower them to reclaim agency to answer “how is it possible for someone to be…and to become…? The question is part of a challenge to the mainstream academia feeding into the oppressive system, and question, Why things are the way they are?

6. Here I presented this summary of Research as Resistance (Lesley Brown and Susan Strega (2005:259) from the last chapter where the authors insistently stress some guiding principles of doing ethnography as resistance to assess our research topic, methods, our relationships, analysis, and action. First, anti-oppressive research is social justice and resistance in process and in outcome, since research can be a powerful tool for social change. As research can be used to respect, empower, and liberate, it can be used also to suppress ideas, people, and social justice. To do ethnography as resistance, good intention is not enough, but it takes personal commitment as social justice activists and purposefully working towards making change for in individuals, communities, and institutions, the first target of change being ourselves.

Second, all knowledge is socially constructed and political. That is, from anti-oppressive perspective, knowledge exists in relation to the “knower(s)”, produced through interactions of peoples who are socially located (in gender, race, class, and ability) with biases, prejudice, and difference of power relations, so much as knowledge is socially constructed, and located.   Thus, there is no one “truth” but multiple truths, and in anti-oppressive research, we look for meanings, understandings, and for the power to change.

Third, anti-oppressive research is all about power and relationships. In positivist perspective, the relationship is exploitative/paternalistic and the research process is controlled by the researcher. But relationships and power involve the knower and the known, groups of knowers outside researchers, and researchers and external institutions and ideological paradigms.  The shift of power is, thus, towards the people on the margin, towards those with epistemic privilege or lived experience of the issue under study from the paternalistic exploitative realm of “Othering,” building life-long relationship instead of a throw-away time-specific relationship. Finally, the anti-oppressive researching practice and process of inquiry is an enterprise that has challenged anti-oppressive researchers to reflect upon own sense of self, history, context(s), and actions with others, through thinking critically, listening carefully, and analyzing power relations, and unearth patterns of thinking and acting, and recognize their effects.  

7. Equally demanding questions but remained unresolved in activist scholarship are whether or not to imagine ‘peer’ reviews of the works also by the research participants in the local communities so much as by academic experts (Hale, p187) and whether or not to fight an epistemological battle within the dominant academic institution or struggle to find a hospitable home outside of the academy. These are some of the changes which would involve rethinking the mission, purpose, and politics of the academy and strategizing to reach such objectives enables scholar activism to achieve social justice, generate new ways of knowing and create a wider public culture of democracy, i.e. a “new public sphere” (ibid, p157). Thus, activist scholarship as “engaged research” involves a participation of key community stakeholders, that is, research users, clients, sponsors, and practioners with scholars in the co-production of knowledge and to address complex social issues or phenomenon. By engaging contradictions and “engaged research,” the aim is to build relationship that involves collaboration and negotiation between researcher and practitioner that requires shared authority at all levels of research process: defining the research problem, choosing methodological and theoretical approaches, developing the final products, and participating in peer evaluation of the research outcome(s). 

8. See my “ ETHNOGRAPHIC MYSTIQUE: THE SELF IN FOLKLORIC FIELD RESEARCH:  The Poetics and Politics of Salale Oromo Folklore Research [Oromia, Ethiopia]”


9. Though there are quite intriguing journal articles and references for this course, I chose only some of them. My purposes to choose out of those references and book chapters include: an initial mission directly into resistance research methods through some readings with theoretical overtone, relevance to my daily academic practices on the front line of ethnography of resistance poetics, the bound of delivery in a given period of time to constrain the need to read the whole book(s) and journal articles, and, for a novice learner of resistance research and folklore activism like me, I think those references and books would do a great introductory groundwork. 

10. Let us draws attention to Gerard Warshaver’s three aspects of postmodern folklore:  first that folklore is changed from an object of knowledge into an object of consumption. That is, postmodern folklore is folklore commodified (cf, “folklorization”). Second, that instead of committing oneself in folklore as a modern disposition to make social difference, one consumes folklore to achieve self-fulfillment in postmodern culture (cf. Jean Baudrilard’s (1988:12) “philosophy of self-fulfillment as postmodern ideology of competition).  The philosophy of “self-fulfillment by competition is actualization of self by consumption “each on his own” signaling the transformation of second into third level folklore.  That is, when the first level folklore is transformed from an object of knowledge to a commodity it transforms itself into the language of consumption. In effect, second level folklore evaluates first level folklore by referring to it as an affect, style, worldview and materiality of social labor. On the other hand, third level folklore values folklore of the first instance as a text whose utility (consummativity) rests on its ability to create new experience and meaning—self-fulfillment of third level re/producers and their customers (Warshaver, p223).


REFERENCES
Abu-Lughod, Lila. Writing Women's Worlds: Bedouin Stories. Berkeley: University of California Press. 1993/2008. 

Brown, Lesley and Susan Strega (ed.). Research as Resistance: critical, indigenous, and anti-oppressive approaches. Canadian Scholars’ Press/Woman’s Press. Toronto, Ontario. 2005.

Currie, Gregory. “The Role of Normative Assumptions in Historical Explanation.” Philosophy of Sciences 47 (1980):456-473

Hale, Richard. Engaging contradictions: Theory, politics, and methods of activist scholarship (Book Review).  Hale, C. Richard. (Ed.). Berkeley, CA: University of California Press. 2008. Journal of Higher Education Outreach and Engagement, 14, 1 (2010): 103

Marcos, Subcomandante. (2001). Our Words are Our Weapon. New York. Seven Stories Press.

O'Connell, Anne. Research as Resistance: Critical, Indigenous, and Anti-Oppressive Approaches (Book Review). 2006. Leslie Brown and Susan Strega, eds. Toronto: Canadian Scholars' Press, 2005; 303 pp. 2006

Saltmarsh, John. Engaging contradictions: Theory, politics, and methods of activist scholarship (Book Review).  Hale, C. Richard. (Ed.). Berkeley, CA: University of California Press. 2008. Journal of Higher Education Outreach and Engagement, 14, 1 (2010): 103

Warshaver, Gerard. “On Postmodern Folklore.” Western Folklore 50 (1991):219-229




Friday, June 15, 2012

TOWARDS ETHNOGRAPHY OF RESISTANCE POEITCS: THEORIES




Asafa Tefera Dibaba (PhD Student)                   
Summer, 2012

Indiana University
Folklore/Anthropology
Prof John McDowell
_______________________

I. Introduction

This summer, I am working on two classes: TOWARDS ETHNOGRAPHY OF RESISTANCE POEITCS (F800) I & II. In this search for ethnographic paradigm, one independent reading class focuses on a model (methods) in collecting data in Folklore and Resistance Culture and another class focuses on Theory for interpreting the data. In constituting a theory, I will be working towards resistance poetics. That is, in challenging hegemony and any form of social and political injustices, the oppressed re-story what happen(ed) to them, sing and turn grievances and disenchantments into humor and thus the oppressor is “jockied” about. In so doing, the oppressed locally theorize the politics and history from below. James Scott’s (1991) Ethiopian saying, when the land lord passes by riding his horse, the serf deeply bows and silently farts is a typical example of such a critique of both the power and the powerful. This is a silent, yet public resistance best summed up in Jean Paul Sartre’s prefatory note to Fanon’s (1963:8) The Wretched of the Earth: “dogs that bark don’t bite!” and thus the tenant shows outwardly a tactical smile to the landlord and secretly brews contempt, deception and plot to unsettle the power relation.

In both the independent studies, I have two aims: one is to approach the data and my ethnographic field notes as a kind of “dialoguing” with the folkloric and anthropological ancestors in the region and, second, to reframe my views on the ethnographic craft in a historical perspective. Hence, towards that end, for this class on Resistance Poetics (Theory), I present in this paper a comparative analysis of my close readings into two books: Jeff Conant’s (2010) A Poetics of Resistance, and Frantz Fanon’s (1962) The Wretched of the Earth.

II. Why Poetics of Resistance?
The oppressed theorize the brutality, hunger, thirst and physical and psychosocial experiences through stories, myths, songs, rituals, and festivals into “everyday resistance” in such a deeply imaginative and profoundly visionary artistic stance that necessitates a poetics of resistance. The poetics of resistance interprets and analyzes the collective shared experience constituted into local history and serves as a reference point to direct attention to understanding the features of “resistance from below” against the historically unjust power relation.  

Jeff Conant writes in his A Poetics of Resistance (2010) that “resistance is a strategy for cultural survival” (p34). That is, the struggle of the ordinary people is not just economic but also spiritual, and more subtle which necessitates a poiesis as an action of ‘making,’ ‘transforming,’ and continuing the world and resistance through ‘word’ and ‘praxis,’  through ‘theory’ and ‘practices’ to sustain the struggle against injustices. The ‘word’ is a testimony for the re-existence of the oppressed who tells the oppressor he resists therefore he exists.  The reality of the re-existence of the oppressed is beyond his collective imagination, beyond the forceful homogenization of the nation-state. It is the truth to be materialized through fighting and fiercely defending, wording, naming and re-creating the social reality, and reconstructing it into various histories, not just the monolithic single History of domination, but into many other such facts elsewhere. The struggle is partly to fit this world of the oppressed into many other such worlds elsewhere through resistance poetics.

Paul Sartre is right to tell bluntly his fellow Europeans that when they tame a member of their own species, they reduce him not only to animal but also affect his output, however little they may give him. Hence, his suggestion is that the settler should stop domestication of humanity for at the end “neither man nor animal is the native,” humiliated, beaten, undernourished, ill and terrified, always he has the same traits of character, whether black, yellow, or white, i.e. considered only as mischievous, lazy, thief, and left with nothing, but one who understands only violence (Fanon, p16).  In line with Paul Sartre’s metaphorical “domestication” of and “giving little” to the ordinary man, Fanon basis his theory of violence on the uneven distribution of resources in the countries which, after independence, believe to have benefitted from the large European settlement and the wide streets and big houses. As a result of the “wrong perception,” seeing the colonial legacy at its face value, those countries disregarded those “poverty stricken, starving hinterland,” and gave themselves the impression that their towns are symbols of independence (Fanon, p100, f. n.).

Hence, the study of the facts needs an interdisciplinary methods and model which is the focus of resistance poetics. The basic assumption is that ordinary people turn to words as emancipatory social praxis when they are put indefinitely in unequal historical power relationships. They turn their wretched conditions into words, into jokes, stories, myths, songs, festivals and rituals and dances to all that is overtly incommunicable. In so doing the oppressed critically and creatively communicate what happened to them and propel their cause by clearly articulating their demands (justice, work, land, food, freedom, rights, and all that humanity cannot survive without) to the oppressive state and also to the world community.

When the poiesis of non-violent resistance fails to expect change and betterment of the resister, then Fanon’s violence or Conant’s Chiapas’ ya basta! enough is enough become evident (Fanon, p99; Conant, 330). It is Fanon’s strong conviction that the Third World ought not to be content to define itself in terms of the colonial values before it, but it ought to do at its utmost to find its own particular values, methods and style peculiar to it (Fanon, ibid).  Similarly, Jeff Conant believes that, the Chiapas’ struggle led by Zapatista is not a struggle to overthrow a colonial foreign power but against internal colonialism which reduced the indigenous culture to a subaltern position within a dominating state (Conant, p108).  However, this argument is not to rule out the possibility that resistance by the ordinary people is in search of human liberation, or fundamental human freedom.

The oppressed historicize the local politics and crystalize the local history out of the brutality and hunger, disease, and man-made famine, and all the physical and psychological hardships, atrocities that humanity cannot bear up, and the collective shared experience lived to witness under oppressive state structure, an agent for neoliberal capitalism. Hence, the poiesis of such an ongoing creative resistance should be emancipatory at most as its ultimate goal is to seek for an unconditional and fundamental human freedom, but not just a system change of one oppressive state ideology for another neoliberalist power ploy. It is crucial to carefully construct an ethnography of resistance poetics, a suitable method/model of study into the creative social praxis of the oppressed through examining their folklore and resistance culture which involves part folkloric, and part anthropological and historical inquiries.

Though Conant focuses on the Latin American Chiapas’ experience and Fanon aims at a universal moral principle to direct the struggle waged by the disenfranchised humankind, but both take as a point of departure the pre-colonial culture and the survival of the ancient beliefs and customs still in existence in contemporary cultural forms beneath Western forms (Conant, p133).   The survival of the indigenous culture is in the hands of the elites whose way of thinking is already marked by the technical advances they spring from. That is, where “modern ideas” reign, Fanon stresses, and the same elite classes (bureaucrats, military, business sectors, intelligentsia) struggle against the tradition, change old customs, and “enter into open conflict with the old granite block upon which the nation rests” (Fanon 109). These forces, among others, who serve as agents of internal colonialism and the power-holder, determine the effort to constitute and the practicability of resistance poetics since they force the route of local history to veer in a different direction along the mainstream one.

Next, I will turn to show how the “universal” and the “particular” objective facts and subjective realities of human and historical conditions are treated in both works under scrutiny.

III. Resistance Poetics: the “Universal” and the “Particular”

Jeff Conant’s “A Poetics of Resistance”
Conant’s Poetics of Resistance is pleasingly the analysis of history of the Zapatista insurgency as the first “postmodern revolution” based on the communiques about the “Zapatismo” ideologies, the organizing methodologies and communication strategies of the movement. The book much draws on the author’s field research into the compelling and aggressively effective language and aesthetics of the Zapatista movement which sustained its appeal and survival as a popular struggle in the 21st century in the last decade. The grassroots level popular struggle used creative resistance to convey its vision and constitute resistance poetics to direct the liberation so that the means justify the end. By interlacing varied elements of poetics and symbolism, “Zapatismo” has emerged as a “reach in” and “reach out” mechanism of resolutely radical public relations campaign for human liberation working on mobilizing the oppressed Chiapas from inside while launching attacks against the oppressive state in default.

The poiesis of the popular resistance served as a complex and evolving web of social praxis using a wide range of folkloric performances in a profoundly imaginative and deeply visionary stance to sustain the resistance and mobilize the people. The Chiapas danced to their disenchantment on rituals and festivals, sang songs and told stories of their lived experience to clearly communicate to their friends and foes their unshakable belief in the emancipatory liberation struggle.   Conant’s book is a practical research outcome though heavily drew on the colorful communiques of subcommandante Marcos.

The analysis of the ski masks, uniforms, toy dolls, and other accoutrements of the insurgents and murals, songs, and other popular cultural forms are carefully recreated into the poiesis of resistance of the ordinary Chiapas who lived to vitalize truth both in “arms” and in “words,” i.e., in aesthetics and in praxis, to gain publicity on a global scale (Conant, p119ff). Thus, A Poetics of Resistance is a living example of a participatory bottom-up revolution of the Chiapas in the last decade, the struggles that survived for a while despite the top-down neoliberalist massive campaign of populism, i.e. meeting short-term demands of the people and dismantling the struggle through a divide-and-rule policy.

From a postmodernist view of cultural populism, cultural analysis such as the Chiapas’ needs to be located where theoretical struggle becomes political and political struggle becomes theoretical, and, hence, through a carefully co-crafted poiesis of popular resistance, culture becomes a site where this location of culture is either suppressed or made visible. The poetics of resistance is made obvious in the analysis of how differences in language can make it difficult for a meaningful negotiation between the indigenous population and the State. The paradox of the principle of nonviolence such as “our words are our weapons” and at the same time carrying guns, and vesting power in the people and working collectively but creating the non-Chiapas subcomandante Marcos a public figurehead is strikingly puzzling for an outsider.

Following the 1994 sudden attack on the Mexican nation-state, the Zapatistas succeeded particularly in establishing an autonomous self-governed region in the Chiapas, where, as Conant notes in the last chapters of his book, “the people lead and the government obeys” in the Chiapas.  However, the state legislation and regular crackdowns by the military did not leave the mass movement without disintegration, though, comparatively speaking, there are similar other South American revolutions and anti-globalization movements spread like a wildfire. The genealogy of the Chiapas popular resistance points at the holistic cry of defiance, “Ya basta!” of January 1994 to maintain itself as “a point of reference,” as part of rebellion for the same cause in the world but in “pluriforms” (p330). However, the Zapatistas also justly claim the resistance to be the continuation of the 500 year of Mayan rebellion against oppression.

In “The Story of Words” (democracy, liberty, justice) and Durito the dung beetle provides witty and insightful analyses of neoliberalism, which may make a concrete example of the “Poetics” of the Zapatista movement. Through combining narrative history, literary criticism, ethnography, and media analysis, Conant’s A Poetics of Resistance provides a clear understanding of a “postmodern revolution” by a complex web of “words” and “arms”. The means, meanings, and mythos of the Zapatistas' famous “¡Ya basta!” meaning, Enough already!, are the center of the poetics of a new story of untying official monolithic History, uncovering buried seeds of popular resistance, and revealing the glimmer of hope for a truly insurgent modernity.

While working in a particular setting of the Southeast Mexico, Jeff Conant is a writer, educator, and social justice activist echoing the plights of mankind. In his book he offers an engaging and innovative tool for organizers and environmental educators and also for popular activists to help understand how the Zapatistas' strategy works and the nature of their effective messages of participatory resistance, how they mobilized and sustained the bottom-up revolution through merging both “words” and “arms”. Both the title and the front cover picture, a masked Zapatista doll carrying a rifle, suggest an activist readership, which is evident from the content of the first couple of chapters also inclining to be overly a literary analysis of the Zapatismo, describing the history of the movement from 1994 to 2010.

Resistance poetics is the echo of the multitude, the earthly deep voice of the people embodied in the elders. The Chiapas’ earthly deep voice reiterated in Old Antonio’s dreams constitutes the history of the genesis of popular struggle of the oppressed. It is the will to power that reveals itself to the oppressed as a driving force in popular movements rather than the brutality experienced in daily life practices and the gruesome life conditions. The need for free land, full table, peace to oneself, one’s home(stead) and the world at large is a precious reward to be fought for. It is not a fact to be found at leisure; it is a truth to be made through intense labor. The heroes’ wit reveals the truth uttered in the deep voice of the oppressed as much as the heretics’ wisdom does. Old Antonio’s voice represents the ancient Mayan heretics’ voice and of the future Chiapas’ bandits and pundits until freedom is gained as a fundamental human essence (pp72, 73).  

As it is believed, heroes and bandits disappear in order to be seen, they die in order to live or re-exist in the mythos and wisdom of the heretics and pundits. Such paradoxes are also inevitable in the war/peace, life/death, and destruction/construction bipolar. Old Antonio’s philosophical premises hold this fact that the war that the Zapatistas forced to wage is to redistribute resources, reconstruct the unequal historical and social relationships. The war of nature against nature and humanity is also metaphorical: by destroying, the river reconstructs the land and to yield abundance such as corn, beans, and bread on their table there in the jungle for Zapatistas symbolizing equality, justice, and freedom (p77).

The universality of the liberation struggle of one community in one place is a justifiable human thing conditioned by the universal nature of “freedom,” and the “right” to land, food and work, and procreation”. One may find those demands in the prelude such as the Chiapas’ “Ya basta!” “Enough already!” also recur in Salale’s metanarrative (metadiscursive) resistance ethos, a prelude into a set of stories they tell and songs they sing, stories of historical resistance and contemporary re-existence. The reason why the oppressed tell stories of resistance over and over again, sing protest songs and re-create mythos of opposition is that those serve as the poiesis of communicating the unfavorable life experience and have a commemorative function and strengthen and root the struggle more deeply in belief and in practice to make more concrete and ideologize it, and in so doing sustain the struggle. It is true that “through arguments we only come to conclusions; only stories make sense,” and also that “what is a revolution not built on stories and not sustained by poetry?” 

People communicate through the poetics of resistance not just what they demand but also what they try to embody and symbolize in the historical resistance in which language plays a major role. In the case of the Salale, the use of both Oromo and Amharic languages interchangeably used as a gateway for both the native and the outsiders into the Salale indigenous methods of resistance is not only linguistic but also systemic bastardization of the oppressive structure evident in all religious, cultural, and sociopolitical aspects of their everyday life. The use of foreign language by the oppressed is to communicate to the outsider what they demand and what they don’t, in which case language can serve as a tool of resistance as among the Chiapas.

The poetics of resistance challenges the critiques of the social movement as romanticizing indigenous culture and banditry (armed struggle), and over-reliance on the history of ethnic heroes and oversimplification of the existing social and historical reality. Byway of the counter-critique, resistance poetics strictly follows up and builds on the profoundly imaginative vision and deeply ethical commitment of the social movement activities. The poetics helps the debate and feeds into the poiesis (action, to make) against the surface readings into the meanings carried in the mythology of resistance.

For a social movement to expand its territory geographically and psychologically the war of arms and words are equally important. Thus, the poetics of resistance is important to mobilize supporters and a counter-text against the hegemonic ideology (propaganda) and to dedicate full attention to the poiesis that gives the resistance (social movement activity) a transnational resonance and to keep it on track.

The poetics is about “winning and losing” (note Henry Glassie’s experience about the Stars of Ballymenon) and through the taking of the territory by military actions on the ground, communal development actions and actions of solidarity, festivals and rituals (note rituals as tools of political resistance). Hence, using the Chiapas’ “particular” local experience as a case study, Jeff Conant defines the notion of resistance poetics as a “universal” sum total of common good, values and visions that resound in the voice of Zapatismo (p13), which voice the plight of disempowered mankind. It is also the symbol and sense used to resound the voice of the popular struggle, the hope and ethical commitment of the people. That is, the struggle of the oppressed is not just demanding change but also embodying it, and it is to unseat the powerful and also to unsettle the power (Conant, p13, citing Rebecca Solnit’s Hope in the Dark, 2006). As a guiding principle, resistance poetics is based on such ideological guidelines as the Zapatistas’ “Everything for everyone, nothing for ourselves!” (Conant, p14). 

The “particularist” trajectory of Resistance poetics, I argue,  seems an account of ascendingly failing social rebellion that might appear disarticulated from its cause without a short term benefit or any benefit of history lingering under permanent threats of attacks. However, resistance poetics is not a failed narrative but a silenced outcry of a shockingly wretched citizen struggling to create a world where many worlds would fit, decenter a monolithic single History and instead tell/record several versions of histories. The myth of a purportedly emasculated struggle is turned into jokes, tales, and songs of prison to restory the hard times suffered under massive oppression and, in so doing, sustain the resistance in local history. Popular resistance is not about seeking to take state power; it is rather about opening chance for everyone to cherish the right life to its fullest. Hence, put in its “universalist” trajectory, the poetics of resistance is a canon of the oppressed that decree power resides not merely in the authority of the state. It is popular power, public power that resides in the common, ordinary people who can hand it over to an authority and transfer it at their will to a succeeding elect than indefinitely owned by a demagogue. That is, power resides in the production and cultivation of human dignity, in nurturing and disciplining rather than in controlling humanity.

As a dynamic mode of communication, the poiesis of liberation goes beyond a reciting of history of oppression or consequent rebellion, or as Jeff Conant puts it succinctly, it goes beyond “an academic illustration of social movement theory”. As a profoundly imaginative reflection of everyday life, resistance poetics is a communicative strategy used by the oppressed for a common goal of approaching their real life situation from diverse contexts. That is, the oppressed draw on the collective historical memory of resistance to show their profound sense of dignity and to revitalize their cultural resistance as a continuation of indigenous methods of peace making and defending their sovereignty. Thus resistance poetics is a tale of the journey from the trapped struggle and distracted resistance to collective re-existence. It reaches in, takes route, and grows in the rural villages, in the Chiapas Mountains in the southeast Mexico as in the Jamma and Mogor gorges and caves of the Salale, Ethiopia, to reach out beyond those local villages to the oppressed everywhere engaged in unseating the powerful and unsettling oppressive power structure. Thus, as a poiesis of liberation, resistance poetics is a song of “the war of the flea,” a reach-in and a reach-out communicative mode of the oppressed used to keep the struggle on track and sustain solidarity with the wretched of the earth elsewhere.

Jeff Conant is right in saying that the first front in any war of liberation is the front of language (p177). Thus “art is in the service of the revolution” when, since the end of the Cold War, the Zapatista movement brought about mass insurgency sparkling rebellion on a global scale against corporate globalization (Conant, pp30, 31). Hence, it is true that resistance poetics by drawing on songs, tales, rituals and dances and performances on varied faces and facades of culture revitalizes society to thrive and constitute words of hope not just of violence. Resistance poetics is the language that a hounded heart brews a poiesis of disenchantment, praxis, and voice of peace against forces to subdue the struggle of the oppressed but in vain; it is emancipatory as it is critical.

Emancipatory resistance is critical and universal in its ideological orientation because it aligns with the wretched of the earth to safeguard justice and democratic principles. The power to name, articulate, oneself, one’s community, one’s history, re-naming, re-enacting and re-creating as a metaphor of re-existing is a characteristic feature of those engaged in an emancipatory struggle. The naming and renaming is part of claiming a geographical as well as psychological territory recapped only in memory up to the point but carried in the resistance poetics used as a roadmap of the struggle, the road that leads beyond the bodies and lives broken and taken. By this time, history is the first casualty under the attack of dictatorship and oppressive global economy that strives to silence the rebel, and as a result, memories fade, and pantheons of gods are deserted (Conant, p27).  What remains is the revolution, the moment when the true past is commemorated to re-exist, the dislocated self to gather together, and the future is once again reformulated as the present is rather a troubled water.  Emancipatory resistance is a rebellion not against change but against a controlling and domesticating change, a change that is not a “guest” but a “gate-crusher”.

In sum, examples of a “particularist” resistance poetics, Jeff Conant lists in his study the union’s songs of American labor movements of the early 20th century, the Yippies and Diggers street theatres of US in the 6os, the songs of the Spanish Civil War, the Murals of the Sandinistas, and the quilts of the abolitionists (pp37, 38) not to mention the gospel songs of the Civil Rights Movement. They are “particularist” in that they are parts of the whole liberation movements waged against social evils set in a single historical current and, relatively, same spatial and temporal milieus.

Those “particularist” forms of resistance cause emergent forms of folkloric genres. A substitution of socialist ideas for populist and neoliberal capitalist idea of populism, among other things, causes the emergence of folkloric variants—as it does with the subaltern groups also with reactionary nationalists. “Populism” affects markedly the nature of “particularist” resistance poetics. State populism, in this regard, is a discourse about an attempt from above to mobilize the rural grassroots to obtain support among peasants and farmers on the basis of agrarian myth, the effects of the neo-liberal capitalism, i.e., “industrialization, urbanization and capitalist crises” (Oregmeyer-Velazquez, 2010:8). “Populism” as a political style is a “close bond between political leaders and led” or a connection between leaders and followers mostly based on a direct personal contact by way of a “political perosnalism,” initiating a new form of poetics and poeisis.

Frantz Fanon's "The Wretched of the Earth"
As Franz Fanon calls his book, as a subtitle, “the handbook for the black revolution that is changing the shape of the world,” Conant also told me informally in his e-mail, that “my thought is but the merest shadow of [Fanon’s], as I seek to work in that lineage and tradition, to contribute a single grain of sand to the mountain of work that revolutionaries of thought and action like Fanon have brought about.”  By “the Black revolution,”  I believe Fanon is meant to give voice to the black nationalism in his time both in Africa and the US, as well knows injustice and racism have no color nor danger!  It disrupts human agency, worsens human condition. 

Thus, in his “Concerning Violence,” Fanon declares decolonization is a violent phenomenon, though the process is labeled as national liberation, national renaissance, the restoration of nationhood to the people or whatever new formulas are introduced (Fanon, 1963:35). For Fanon, decolonization is quite simply the replacing of a certain “species” of men by another “species” of men. Whether or not the Zapatistas’ outcry “ya basta!” justifies this sudden upsurge of the oppressed from below as a blow to the oppressor is without any period of transition, and absolute substitution of one “species” of men (or women) by another “species,” as Fanon claims, is a success, despite the violence, is dubious.

The struggle of the oppressed, as Conant asserts, is to retake history so much as it is to reoccupy the territory recuperated from the memory of the indigenous peoples in songs, tales and in every face and façade of culture for the common goods of the oppressed and for a global new form of wellbeing (Conant, pp27, 326, 327). The reoccupation of history and territory starts with establishing the resistance well in the poetics of liberation, that is, with creating narratives of not just what the struggle demands but also what it embodies! The reason is that the struggle of the oppressed is also a strategy for cultural survival. Since the essence of the struggle is not just for bread but for dignity, which certainly will include bread (Fanon quoted in Conant, p236), then the proof of success lies in a whole social structure being changed from the bottom up. The extraordinary importance of this change, according to Fanon, is that it is willed, called for, demanded. The need for this change exists in its crude state, impetuous and compelling, in the consciousness and in the lives of the men and women who are colonized. But the possibility of this change is equally experienced in the form of a terrifying future in the consciousness of another “species” of men and women: the colonizers.

Once the resistance has fully evolved into a direct action and armed struggle has began, the blaze spreads like wildfire, voices are raised at the very core of the oppressing nation, drawing attention to the gravity of the situation  (Fanon, p127). Fanon describes the euphoric ardor of open/public resistance as a ritualistic orgy of human liberation that the people join in the mud of their hut, in their dreams, in their breath and heart’s core singing endless songs of praise for the glorious fighters (ibid, p128). This time, the tide of rebellion has flooded the nation, and the poeisis and poetics of resistance now consolidated into a social praxis.

Of the peasants’ spontaneity Fanon stresses they are rooted in the country districts and occur to the “universal” and usually solid presence of the emergent nation. The peasants’ spontaneity is that they have no speeches, no political program, nor resolution, and their one unchanging plan is, “the foreigner must go,” and towards that end they should form a common ground against the oppressor (Fanon, p131). This historical transformation of human condition through self-sacrifice and “ritualistic rebellion” marks a new development of both the resistance poetics and ethnographic search of the myth of the emergent nation.

The role of the poetics of resistance is paramount pre- or post-liberation of the nation, more than just a social critique. Fanon’s argument is that the protracted resistance and national consciousness degenerate into petty identity politics among the poor when the national liberation is indefinitely postponed. The same happens when in the newly independent underdeveloped countries when the elite groups of natives educated by the colonial power staff the post-colonial economy, seek its own benefit and fails to generate new resources, plunging the masses into ethnic and religious dissonance. They secure profits, governmental concessions and be bosses rather than leading the nation towards development.

Fanon details the consequence of identity politics along ethnic and religious boundaries that colonial economy developed: certain regions and some people under the colonial economy prosper while others remain poorer, some people have more access to resources, land, jobs, education while others not. Once the resistance is territorialized and the state backed one ethnicity and pushed another then civil war brews and ethnic strife is enviable as in Africa and Latin America. Ultimately the unity of the anti-colonial resistance degenerates into harmful ethnic (identity) politics between various ethnicities as the national middle class is trapped to degenerate new resources to sustain the people. This degeneration of emancipatory resistance into reactionary resistance arrests the decolonization process. Hence, the role of resistance poetics as an emancipatory practice is more than a social critique.

IV. Conclusion: A Transnational Resistance Poetics
What does a folkloric resistance researcher take in a “universalist” roadmap of Black revolution and “particularist” principle of “peasant/elite” insurgency? Resistance poetics of the oppressed works against the codifying rules, the homogenizing art serving the continuation of the traditional nation-state ideology. Set in the everyday life practices of the common people, resistance poetics is the art of challenging hegemony. The poor woman whose husband disappeared for evading tax sings work songs subtly embedded in resistance poeisis.  Resistance poetics of the oppressed is an example of a positive struggle both in aesthetics and praxis in which case the role of folklore is abundant. Hence, against the forceful homogenization process of the hegemonic public resistance to subdue the voice of the multitude, poetics of liberation is a demand for a “world in which many worlds fit” despite all odds. From the 1593 when the Oromo-Abyssinian first encounter was recorded for the first time, the Oromo presence in the heartland of Ethiopia in the Horn was by itself resistance against Showan and highland Orthodox Christian invaders. In other words, to say as a Mayan Chiapas in Mexico, if the Oromo did not resist, they could not be there where they are today. They are there because they resist(ed).

History of the resistance has been carried down from generations in oral tradition (songs, stories, myths) as people engage critically to resist both geographical and cultural invasions. The story of resistance of the oppressed (by armed resistance, passive resistance, vocal resistance, and silent resistance) which, however, in all those resistance genres, is a varied form of poetics of resistance. Resistance of the oppressed is to defend what belongs to them, to defend their resources, territory and culture without which they cannot continue to survive as people.

In both works we see that metaphors and symbolic representations encrypt miseries of the rebel and the rebellion to reverse the unbearable life conditions. Like the seven words and seven roads representing the seven Chiapas ethnic groups rallying behind the Zapatistas rebel army, for example, the Salale waadaa / covenant traces descents of the Galan, Abichu, Obori, Jidda to recount ancestral willingness to offer divine help and as a poetic outfitting of justice, peace, and liberty, life and death and all that recurs, as truth, earth and sky, wind, water, and fire and all that they can name as swearwords to renew their commitment to the struggle. The death of the ancestors fighting injustices and oblivion for the betterment of the living is recapped in the poetics of the historical resistance from the 16th century onwards when the Salale Oromo first encountered the Orthodox Christian Abyssinians in the highland Ethiopia much like the Mayan Chiapas’ 500 year resistance in the Southeast Mexico.

The resistance poetics of the Salale Oromo, like any insurgents practice at the grassroots level, informs the social praxis of liberation both to survive and re-exist in such adverse situations as the people demand land, work, freedom, justice and the right to a successful and peaceful life on their homeland. The universality of resistance against social injustice is thus inevitable. As among the Chiapas, among the Salale Oromo, the tales and songs of the great dead such as Tadassa Berru, Mulu Asanu, Baqala Gurre, Badhadha Dilgassa, Agari Tullu and his two other brothers, who must die so that the remaining may live and sustain life to all human and living creatures is a universal destiny of the rebel. The struggle is for life by relieving the suffering of the oppressed while commemorating the great dead in the poeisis and poetics. 

Put on a “universal” scale, resistance poetics is more than an aesthetic sphere or imaginative representation of the struggle to signify instance from which history is constructed but it is also a historical plot recorded in the memory pool of the oppressed about the unequal historical relations and to sustain resistance in its every emancipatory form. As the echoing cries of those martyrs, resistance poetics remains a tell of hope for the poor agrarian Salale Oromo as for the Chiapas or the Black working class, and dignity for the wider embattled and disenfranchised poor—the tales and songs are effort to recapture the historical plots since the reign of Ras Darge in the region (Salale)—resist oppression and misery, cultivate humanity and build autonomy. As can be evidently seen in the Oromo safuu (social/moral order), just every society like a state controls public discourse. Hence songs and stories are re-created out of the existing repertoire of the aesthetic / cultural expression in line with the underlying principle of the local historical experience.

The Salale Oromo resistance poetics is the echo of the general Oromo voice silenced by conservative regimes in Ethiopia. As in Chiapas and the Black rebels, since storied events are known by the public, the aim of stories and songs is naming things, restorying, repeating, narrating, problematizing and mystifying it to deepen its future in memory. Through performance, the key to getting messages across is by repetition, which is a common strategy in stories and songs as subjects of resistance poetics to unite a revolutionary praxis. Prohibitions by local officials against singing songs, praise of ethnic heroes and telling stories about their sufferings and heroic exploits is a war against imagination enforced by imprisonment, forced exile or killings and harassments as a war against physical body. All those atrocities invite the need to constitute poetics of liberation, stories, myth, songs, and humors (jokes). The violence against the physical body such as torture, hunger, disease and brutality and the psywar (verbal abuses) all give content and shape an imagination to prepare for counter offensive in the form of poetics of liberation (where there is physical resistance).

Thus the resistance kept in language and in culture is what makes resistance poetics resistance of memory against forgetting, the oblivion, brutality, hunger, thirst, and want under oppression. Hence, poetics of liberation is about turning grievance into art through singing it, telling it, burning it to rituals and dancing to it on festivals and on spirit possessions as a poiesis (recreation) of action against oblivion. Dipped in the hardened soil of the Chiapas or the Salale, resistance poetics is the resistance that rooted itself in the language and culture of the people that transcend the geographical and cultural boundary by ebbing into the borders of its kind and outsider. By developing around stories, songs, rituals and festivals, resistance poetics is a means by which history is spelled out day by day becoming culture, becoming memory, becoming codes of action handed down by gods, saints (Conant, p37), and by heroes and heretics, and in the careful hands of bandits and pundits, those who represent the wretched of the earth.

References
The Wretched of the Earth, Frantz Fanon, 1963
A Poetics of Resistance, Jeff Conant, 2010.

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